Thursday, March 10, 2011

[Sengoku Otome Momoiro Paradox~004]~English sub

Alternative title:
戦国乙女~桃色パラドックス~ (Japanese)
Themes: samurai

release date
2011-04-04

Opening Theme:
"kagerou" by Tenka Tori Tai
Ending Theme:
"Atsuki Ya no Gotoku (熱き矢の如く)" by Tenka Tori Tai

Cast

Rina Hidaka as Hideyoshi Toyoomi

Eri Kitamura as Mitsuhide Akechi
Mariya Ise as Kenshin Uesugi
Megumi Toyoguchi as Nobunaga Oda
Rei Mochizuki as Yoshimoto Imagawa
Sachi Kokuryu as Shingen Takeda
Satomi Akesaka as Ieyasu Tokugawa
Yuka Hirata as Masamune Date


http://www.pixiv.net/search.php?word=Sengoku Otome&s_mode=s_tag

Sengoku Otome Momoiro Paradox Episode 4 part 1
PLEASE!!!>>>>click right----zoom all
Sengoku Otome Momoiro Paradox Episode 4 part 2


Sengoku Otome - Momoiro Paradox 04
http://www.mediafire.com/?wv3bvg7mtbbwbhw
Sengoku Otome - Momoiro Paradox 03
http://www.mediafire.com/?yn7fpa98siyy48b

Guy pines for guy and then guys get together in the end without issue is generally the theme for every story, completely ignoring for the most part those slowdown bumps of questioning sexuality or dealing with friends or family. The second story isn't an exception but it does play on the simple theme a little more, though to negative effect. It sees a man hired as a housekeeper only to walk in on his young boss having sex with another man and soon finds himself being raped in order to ‘even the playing field’ and spoil any attempts at blackmail. Again, and despite any logical thoughts to the contrary, it's no surprise what eventually happens which does little more than leave a foul feeling behind upon reaching the end.

But even after some ick-factor moments, is it really so bad to have a book full of stories where everyone's happy in the end? In this case, one could easily argue yes. Even those who love a happy ending can find something to be desired by a lack of effort to achieve it like those of these stories, save for maybe a momentary ex-boyfriend blip or the far-too-often relied upon trope of one guy just secretly pining after the other for the whole story equating to drama. To the credit of those in My Bad!, at least their high hopes are accompanied by a strong sense of confidence. A good instance is during the book's next story which sees a man smitten with his mail man and who goes to great lengths to see him as often as possible until he can get him to the point of feeling successful about asking to be lovers.

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