Saturday, March 12, 2011

[Bleach Episode~320]~English sub~Watch OnLine

Genres: action, comedy, drama, supernatural
Themes: dark side, developing powers, giant weapons, secret identity, shinigami, spirits, superhumans, swords

ブリーチ (Japanese)
死神 (Chinese (Taiwan))
漂靈 (Chinese (Hong Kong))
블리치 (Korean)

adapted from Bleach (manga)

watch Bleach Episode 320 part 1
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watch Bleach Episode 320 part 2
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PLEASE!!!!!!----CLICK RIGHT----SHOW ALL

Those who come to this manga looking for more of the "hot guy on the cover," however, will have plenty of reasons to keep the pages turning. Tsuzuki's devil-may-care personality is a refreshing counterpoint to a world that ought to be drowning in angst. Meanwhile, his younger partner has a tortured past that puts Tsuzuki's attitude in perspective. If there ever was such a thing as dark fluff, this is it--a carefree, joke-cracking main character ("This isn't a yaoi comic!" he says in one aside) set against background themes of death and the selfishness of humans. There's potential for some great interpersonal dynamics here, but Yoko Matsushita prefers to tease us by having the boys mutter something to each other and then dive back into the investigation. Sure, they won't be making out anytime soon, but it's the possibility of such that keeps readers interested in these characters.

Of course, the guys wouldn't be nearly as interesting if they weren't gorgeous to start with. The character designs in this manga are typical fare for shoujo, with intense broody eyes and sleek hair dominating. The backgrounds rely a little too much on textures and tones; this is fine during conversations but it undermines the sense of location in action scenes. However, the weakest part of the artwork is the layout--Matsushita can draw pretty pictures just fine, but she lacks the craftsmanship to place them on the page. The scattershot, irregularly shaped panels disrupt the flow of reading rather than create a dynamic sequence from one panel to the next. This flow is also hampered by the ambiguously placed speech bubbles, not to mention the lines of internal monologue that keep interrupting them. From a visual standpoint, Descendants of Darkness is gracefully drawn but stumbles in trying to tell the story.

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